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Without Rojas, without Sabato

Master.

Big Two this week, with a capital, have left us. Gonzalo Rojas, and Ernesto Sabato. Here is a poem by Chilean, and what you already said the nation's death Sabato:

A FEW GIRLS DO THAT IN THE DARK

Bésense in mouth, lesbian
Baudelaire, Ardans , feed
or not by touching their hair blond, long, long bone
joyful
Vivans to each other in the sheet
perverse

and golden and vice
laugh snakes in
Enchantment flexible, total
plague raining everywhere from one coast to another
Species, torrential semen
blind in his mortuary hail
gloomy
East to West,
judging by the sound and fury of the show
.
thus misleading
maidens húndanse, acéitense
crazy high to low, play
to it, open up the abyss, lock the cams
as two large orchid
diastole and systole of the same mirror. Yours

will say they loved the crack.
Nobody is going to talk about beauty. GR





ON SABATO

The worst agony for a creator of forgetting is unfair, ninguneo. And our society will not save you quite ill this ingratitude.

His character often conflicting and arbitrary was etched on his forehead wrinkles. Argentina will hurt, it hurt the world and lived with the obvious lack of intensity every generation have solutions.

tried greatness in times of Argentina, in all its creative expressions, no doubt a country of first order.

His background is impressive: Marxist thought, the existential philosophy, humanism of Camus and Sartre, the specific scientific expertise in studying in France, where as physical approaches to nuclear knowledge.

But at the same time, the devil libertarian literary creation as epistemological rationalism and away from him to choose, with the young Matilda, his wife, a bucolic retreat into a shack in Cordoba to create the foundations of literature : Essays One and the Universe, Men and gear, Heterodoxy and many others.

But understand that the novel (the great novel in the sense of the Russian masters Dostoevsky, Tolstoy or German Mann Hesse, or Proust and Joyce) are the way of a total vision of man and life, a Weltanschauung.

Perhaps the most intense moment of love and creation he lives on his ranch with Matilde Cordoba, where he planned and wrote his major work, On Heroes and Tombs. It proposed a total vision of Argentina, from its history (evoked in the tragic character of Lavalle with the prose poem, the elegy, his death and the crossing of the plateau led by the faithful). Draw social styles, congratulations, colorful characters, evil of quality, and despair of young people to a world of wrong answers. The period coincides with the fall of Peronism.

Sabato manages to write a book that had international repercussions Argentina wide. Along with Borges and Cortazar, took the trio of literary fame in Argentina.

Vain, ironic, conflicted, attentive to the young, independent in politics, a renegade of Marxism totalitarian (including Castro's Cuba). Steadfastly anti-Peronist, her figure was that of a liberal anarchist, an anarchist critical.

preferred to express how to express themselves. As Abaddon, the Exterminator, 1984, attempted to progress in the occult and the bankruptcies of Western spirituality.

was rewarded, praised, guest, but in the last two decades, unjustly neglected, it gave her a sort of perverse silence as if he had lived longer than their enemies considered appropriate.

At a time of emergence of the great Latin American literature (Rulfo, Guimaraes Rosa, Borges, Lezama Lima, Garcia Marquez, Jose Maria Arguedas) Sabato literary language was very intense, but perhaps less aesthetic creativity.

With their mistakes, their vanity, their commitment, their willingness to Argentina, their faith in literary knowledge, Sabato is a big personality who devoted his life to search and lows light shade.

refused to accept the idea of \u200b\u200ba maze with no exit.